Moderator: jadis
m_shoe_maker wrote:Octaver wrote:I bought some of the posters and few CD's from this expensive place in Carmel Ca.
Bayan toh ni Dirty Harry diba?
m_shoe_maker wrote:Octaver wrote:I bought some of the posters and few CD's from this expensive place in Carmel Ca.
Bayan toh ni Dirty Harry diba?
jadis wrote:Nice posts, Northwardnimbus. I like the RCA tape commercial particularly, iba din if you need 2 hands to put on a tape. So the term 'trash those records', which may be the root of 'vinyl is dead', has its roots pala on RCA! Ironic, isn't it, from one of the pioneers of LP manufacturing at that.
JAA wrote:Nice topic Philip!
I agree with you Philip about the importance of cartridge trackability. Manufacturers nowadays are putting more emphasis on this very important criteria because it involves the first link between record groove and the cartridge itself. Stylus tip designs has evolved much to dig down every details engraved in the groove. But still, the cantilever that holds the diamond tip is one of the very important factor in cartridge' trackability. It may also add sonic coloration to the signal if improperly designed, and worse, if the rubber suspension that holds it, unable to damp the resonance significantly. I observed that modern design platforms on many high-end level carts follow a common reduction scheme. Reducing the cantilever mass by shortening its length and revising the materials used thus to improve tracking performance and raise its resonance way beyond the audio spectrum. Reducing its output impedance and inductance to avoid degrading/distorting too much the already faint signal. Reducing the cartridge body weight with current lightweight but powerful magnets e.g. neodymium........
JAA wrote:Hi Philip,
Test records are primarily tools made from vinyl format. It's cheaper, less tedious, and more practical than going into electronic measuring gadgets. No matter how accurate the display from these devise are, our ears would still have the final say.
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