by mozilla » Mon Sep 12, 2005 9:35 am
The Good as viewed by the French LS3/5A Club:
RATHER POSITIVE OPINIONS
"I place very high the ls3/5a concerning the reproduction of the voices. It is of a rather astounding naturalness "
"If you seek alive enclosures, stamped well, with magic medium and who allow to listen of all (and I say whole well: of Diana Krall in Métallica), register and thus throw an ear with these small bitchy girls "
"When once there was tasted, after it is finished, it is with life"
"What is obvious, it is the great accuracy and the variety of the stamps. Once accustomed to this medium, I understand that one cannot detoxicate oneself some: all the others appear relatively false, in comparison."
"the stamps are superb: the night ones of Chopin by Arrau, my piece of reference for the piano, I am obliged to recognize it, passes better on the LS that on my Cabasse: it is a hair, a whole chtit more natural hair. But that made a world."
"Immediately there, cold, which stamps, I am époustouflé (compared to my 3A, nothing to see)"
"Probably most transparent (note: several biblio in compared listening), the categories of musics are well differentiated and they are the only ones to have as well clarified the diversity of the choices of the members of the jury "
"the stamps are those which the amateurs know: those of LS3/5a, without anything which misses in top, this whore of medium on the voices and the piano, this musical articulation, and perhaps, perhaps, especially one "I do not know what" which makes that one is taken by the music, i.e. in fact by the play of which plays."