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vintage_dog wrote:
i have the USHER floorstander (on loan from AA) playing nicely driven by PP amp. drop by one of these days...
rsm2a3 wrote:Amp: Assemblage 300B and DIY 2A3
Rogers LS3/5a
B&W CDM1se
Loth-x amaze
XLR_silver wrote:rsm2a3 wrote:Amp: Assemblage 300B and DIY 2A3
Rogers LS3/5a
B&W CDM1se
Loth-x amaze
here's a short review of the CDM1se. the article says it mates well with
300b amps.
http://www.meta-gizmo.com/Tri/bwcdm1se.html
vintage_dog wrote:i had the non-s.e. CDM1 years ago driven by a ss acurus amp. it had similar sensitivity as my SF Concerto. while my concerto can be driven by my 300b amp, it sometimes lacks the uuumph that i look for in playing heavy jazz
vintage_dog wrote:i had the non-s.e. CDM1 years ago driven by a ss acurus amp. it had similar sensitivity as my SF Concerto. while my concerto can be driven by my 300b amp, it sometimes lacks the uuumph that i look for in playing heavy jazz
rossifumi46 wrote:
....would u know of a speaker that would be a better match for 300b in terms of drivebability?
dinolara wrote:I paired my B&W N805 with my ASL 300B SET but I didn't feel it was lacking uuump until I hook it up with my 100W PP amp. The N805 is bright in general but the 300B sweetened it. I missed that sweet midrange on my 100W amp.
arnoldc wrote:what i have tried on my system so far (45, 2A3, 300B amplifiers)
Axiom M3ti
Klipsch RB-3 (see review section)
Tannoy Stirling
Coincident Triumph Signatures (see review section)
Opera Audio Eric-1 (see review section)
Triangle Comete 202 (see review section)
Infinity Kappa 200
JBL LX2002
Oldfogey wrote:Hi Racio,
I heard the Triangle Comete's at Hypertriodes shop, driven by a pair of 45 monoblocks, and the sound was quite good, smooth, warm and elegant. IIRC, Ihatejazz was there too, and we both preferred the Triangles over a pair of Omega's with the 45 amps. Of course the usual (YMMV) disclaimers apply!
Enjoy your search,
OF
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